Download Film Genre Reader IV PDF

Film Genre Reader IV

Author: Barry Keith Grant
Publsiher: University of Texas Press
Total Pages: 784
Release: 2012-12-01
Genre: Performing Arts
ISBN: 0292745745
Rating: 4.5/5 (45 downloads)

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From reviews of the third edition: "Film Genre Reader III lives up to the high expectations set by its predecessors, providing an accessible and relatively comprehensive look at genre studies. The anthology's consideration of the advantages and challenges of genre studies, as well as its inclusion of various film genres and methodological approaches, presents a pedagogically useful overview." —Scope Since 1986, Film Genre Reader has been the standard reference and classroom text for the study of genre in film, with more than 25,000 copies sold. Barry Keith Grant has again revised and updated the book to reflect the most recent developments in genre study. This fourth edition adds new essays on genre definition and cycles, action movies, science fiction, and heritage films, along with a comprehensive and updated bibliography. The volume includes more than thirty essays by some of film's most distinguished critics and scholars of popular cinema, including Charles Ramírez Berg, John G. Cawelti, Celestino Deleyto, David Desser, Thomas Elsaesser, Steve Neale, Thomas Schatz, Paul Schrader, Vivian Sobchack, Janet Staiger, Linda Williams, and Robin Wood.

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Film Genre

Author: Barry Keith Grant
Publsiher: Columbia University Press
Total Pages: 123
Release: 2019-07-25
Genre: Performing Arts
ISBN: 0231850069
Rating: 4.0/5 (69 downloads)

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This is a concise evaluation of film genre, discussing genre theory and sample analyses of the western, science fiction, the musical, horror, comedy, and the thriller. It introduces the topic in an accessible way and includes sections on the principles of studying and understanding "the idea of genre"; genre and popular culture; the narrative and stylistic conventions of specific genres; the relations of genres to culture and history, race, gender, sexuality, class and national identity; and the complex relations between genre and authorship. Case studies include: 42nd Street, Pennies from Heaven, Red River, All That Heaven Allows, Night of the Living Dead, Die Hard, Little Big Man, Blue Steel, and Posse.

Download Film Genre 2000 PDF

Film Genre 2000

Author: Wheeler W. Dixon
Publsiher: SUNY Press
Total Pages: 278
Release: 2000-02-24
Genre: Performing Arts
ISBN: 9780791445136
Rating: 4.1/5 (451 downloads)

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New essays by prominent film scholars address recent developments in American genre filmmaking.

Download Film Genre for the Screenwriter PDF

Film Genre for the Screenwriter

Author: Jule Selbo
Publsiher: Routledge
Total Pages: 339
Release: 2014-07-25
Genre: Performing Arts
ISBN: 1317695674
Rating: 4.5/5 (74 downloads)

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Film Genre for the Screenwriter is a practical study of how classic film genre components can be used in the construction of a screenplay. Based on Jule Selbo’s popular course, this accessible guide includes an examination of the historical origins of specific film genres, how and why these genres are received and appreciated by film-going audiences, and how the student and professional screenwriter alike can use the knowledge of film genre components in the ideation and execution of a screenplay. Explaining the defining elements, characteristics and tropes of genres from romantic comedy to slasher horror, and using examples from classic films like Casablanca alongside recent blockbuster franchises like Harry Potter, Selbo offers a compelling and readable analysis of film genre in its written form. The book also offers case studies, talking points and exercises to make its content approachable and applicable to readers and writers across the creative field.

Download Transformation of Contemporary Film Genre PDF

Transformation of Contemporary Film Genre

Author: Fangyi Xu
Publsiher: Springer Nature
Total Pages: 240
Release: 2022-10-25
Genre: Performing Arts
ISBN: 9811968608
Rating: 4.8/5 (8 downloads)

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This book is the first one focusing on Chinese mainstream films from a cross-disciplinary perspective. Based on case studies, it discusses three subgenres of mainland Chinese commercial mainstream films and offers an approach to studying the transformation of Chinese mainstream film within the theoretical frameworks of “genre theory” and “screenwriting method”. It helps professionals understand the genres and narratives of Chinese mainstream films, and also serves as a must-read for non-professionals interested in Chinese cinema.

Download Films by Genre PDF

Films by Genre

Author: Daniel López
Publsiher: McFarland & Company Incorporated Pub
Total Pages: 495
Release: 1993
Genre: Performing Arts
ISBN:
Rating: 4./5 ( downloads)

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Since the early days of cinema, there has been an insatiable demand for new product. As the number of movies increased, many began to resemble each other and fall into certain types of genres. Critics, filmmakers, and audiences have classified films into groupings for critical appraisal, easy identification of the subject, or a quick clue to the film's nature. From abstract through erotic, from new Chinese cinema or zombie films, 775 genres are included in this comprehensive reference work. Each entry includes a brief description of the category, the subgenres or related types of films, and a list of movies that best exemplify the genre, showing original title or titles, nationality (73 countries are represented), year of production, additional titles (working title, re-release title, translation, etc.) and director or filmmaker.

Download Metanarrative Functions of Film Genre in Kenneth Branagh's Shakespeare Films PDF

Metanarrative Functions of Film Genre in Kenneth Branagh's Shakespeare Films

Author: Jessica M. Maerz
Publsiher: Cambridge Scholars Publishing
Total Pages: 150
Release: 2017-05-11
Genre: Performing Arts
ISBN: 1443893382
Rating: 4.3/5 (82 downloads)

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Kenneth Branagh is the most important contemporary figure in the production of filmed Shakespeare. His five feature-length Shakespeare films, Henry V (1989), Much Ado About Nothing (1993), Hamlet (1996), Love’s Labour’s Lost (2000) and As You Like It (2007) both created and represented the explosion of filmed Shakespeare adaptations that began in the 1990s. This book demonstrates Branagh’s appeal to classical film genres in order to meta-narrate for a popular audience the unfamiliar terrain of the Shakespearean original; it examines the debts Branagh owes, stylistically and structurally, to classically-defined generic modes. The generic appeal in Branagh’s films is one that grows progressively, becoming incrementally more critical to his Shakespearean adaptations as Branagh’s career progresses. Thus, his debut film, Henry V, is the least classically generic of all his films, relying primarily on intertextual and generic references to more contemporary styles, like the action genre and the Vietnam War film. Much Ado About Nothing represents a transitional moment in Branagh’s generic development; while the film closely accords to the norms of the screwball comedy, this generic correspondence derives primarily from the Shakespearean text. With Hamlet, Branagh begins to experiment with genre as a conceptual conceit: although the film owes much to classical domestic melodrama, particularly in Hamlet’s relationships with Gertrude and Ophelia, Branagh frames his domestic story with devices drawn from the classical Hollywood historical epic. Branagh’s spectacular failure Love’s Labour’s Lost demonstrates a unique subordination of the logic and authority of the Shakespearean source text to the demands of the classical musical form. Finally, Branagh’s most recent film, As You Like It, reveals a new approach towards working with filmed Shakespeare, while simultaneously “re-working” the generic structures and practices that characterize his earlier, more successful films.

Download Film/Genre PDF

Film/Genre

Author: Rick Altman
Publsiher: Bloomsbury Publishing
Total Pages: 256
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838715800
Rating: 4.5/5 ( downloads)

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Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term 'genre' has different meanings for different groups, basing his new genre theory on the uneasy competitive yet complimentary relationship among genre users and discussing a huge range of films from The Great Train Robbery to Star Wars and from The Jazz Singer to The Player.

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Film/Genre

Author: Rick Altman
Publsiher: British Film Institute
Total Pages: 260
Release: 1998-12-22
Genre: Performing Arts
ISBN: 9780851707174
Rating: 4.1/5 (71 downloads)

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This book revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term genre has different meanings for different groups.

Download Western Movies PDF

Western Movies

Author: Michael R. Pitts
Publsiher: McFarland Publishing
Total Pages: 623
Release: 1997
Genre: Performing Arts
ISBN:
Rating: 4./5 ( downloads)

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A comprehensive reference volume of the most popular, enduring film genre: feature-length (over 40 minutes) Westerns, including 16mm, 8mm, Super 8mm, videocassettes and videodiscs. Each entry has film title, release company and year, running time, b&w/color notation, cast listing, plot synopsis, brief critical review. A master list of cowboys and their horses is provided and the book is comprehensively indexed.

Download Renegotiating Film Genres in East Asian Cinemas and Beyond PDF

Renegotiating Film Genres in East Asian Cinemas and Beyond

Author: Lin Feng
Publsiher: Springer Nature
Total Pages: 266
Release: 2020-11-16
Genre: Performing Arts
ISBN: 303055077X
Rating: 4.0/5 (7 downloads)

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This book brings together nine original chapters to examine genre agency in East Asian cinema within the transnational context. It addresses several urgent and pertinent issues such as the distribution and exhibition practices of East Asian genre films, intra-regional creative flow of screen culture, and genre’s creative response to censorship. The volume expands the scholarly discussion of the rich heritage and fast-changing landscape of filmmaking in East Asian cinemas. Confronting the complex interaction between genres, filmic narrative and aesthetics, film history and politics, and cross-cultural translation, this book not only reevaluates genre’s role in film production, distribution, and consumption, but also tackles several under-explored areas in film studies and transnational cinema, such as the history of East Asian commercial cinema, the East Asian film industry, and cross-media and cross-market film dissemination.

Download American Scenarios PDF

American Scenarios

Author: Joseph W. Reed
Publsiher: Wesleyan
Total Pages: 362
Release: 1989
Genre: Performing Arts
ISBN: 9780819552150
Rating: 4.9/5 (521 downloads)

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Examines American film genres, discusses what they reveal about our society, and argues that films influence our perception of life

Download World Cinema through Global Genres PDF

World Cinema through Global Genres

Author: William V. Costanzo
Publsiher: John Wiley & Sons
Total Pages: 464
Release: 2014-01-28
Genre: Performing Arts
ISBN: 1118712927
Rating: 4.2/5 (27 downloads)

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World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses

Download Film Genre PDF

Film Genre

Author: Barry Keith Grant
Publsiher:
Total Pages: 272
Release: 1977
Genre: Performing Arts
ISBN:
Rating: 4./5 ( downloads)

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Download Black Film as Genre PDF

Black Film as Genre

Author: Thomas Cripps
Publsiher:
Total Pages: 196
Release: 1979
Genre: Performing Arts
ISBN: 9780253375025
Rating: 4.3/5 (75 downloads)

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The history, roots, characteristics, and themes of the black film genre are illuminated in analyses of six films including The Scar of Shame, The St. Louis Blues, and Sweet Sweetback's Baadasssss Song

Download Handbook of American Film Genres PDF

Handbook of American Film Genres

Author: Wes D. Gehring
Publsiher: Greenwood
Total Pages: 430
Release: 1988
Genre: Language Arts & Disciplines
ISBN:
Rating: 4./5 ( downloads)

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"One of the strengths of this guide is its coverage of more genres than other standard studies. . . . Handbook of American Film Genres covers foreign films as well, it makes a valuable contribution to film scholarship, and it will be a useful acquisition for libraries that support serious film study." Reference Books Bulletin

Download The Shifting Definitions of Genre PDF

The Shifting Definitions of Genre

Author: Lincoln Geraghty
Publsiher: McFarland
Total Pages: 269
Release: 2008-03-24
Genre: Performing Arts
ISBN: 0786434309
Rating: 4.4/5 (9 downloads)

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Histories of science fiction often dicuss Fritz Lang's Metropolis as a classic work within the genre--yet the term "science fiction" had not been invented at the time of the film's release. If the genre did not have a name, did it exist? Does retroactive assignment to a genre change our understanding of a film? Do films shift in meaning and status as the name of a genre changes meaning over time? These provocative questions are at the heart of this book, whose thirteen essays examine the varying constructions of genre within film, television, and other entertainment media. Collectively, the authors argue that generic labels are largely irrelevant or even detrimental to the works to which they are applied. Part One examines the meanings of genre and reveals how the media is involved in the production and dissemination of generic definitions. Part Two considers specific films (or groups of films) and their relationships within various categorizations. Part Three focuses on the closely tied concepts of history and memory as they relate to the perceptions of genre.